Performances in N.Y.C. Advertisement Supported by “Alma,” premiering this week at the Vienna Volksoper, views its often-vilified protagonist through a feminist lens: as a thwarted composer and mother.
The first challenge is deciding what to call her. She is encircled by famous surnames—men jousting over her identity. A lustrous scion of fin-de-siècle Vienna, she was born Alma Maria Schindler, the ...
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