“The only influence I’ve ever had was myself,” the American painter Edward Hopper once said. A recent discovery by a graduate student, however, may qualify the artist’s claim to originality: at least ...
It used to be easy to tell if an Edward Hopper painting was a fake. If James Dean, Humphrey Bogart and Marilyn Monroe were sipping coffee in the "Nighthawks" diner, you could be pretty sure Edward ...
Edward Hopper’s Nighthawks, his most famous work, on view at the Art Institute of Chicago on December 19, 2013. John Gress/Corbis via Getty Images If Shadwick is indeed correct, then works that are to ...
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Edward Hopper’s Nighthawks: Why this painting still resonates
Edward Hopper’s Nighthawks captures modern isolation in a single nighttime scene. This video explores the painting’s historical context, symbolism, and why it continues to speak to viewers decades ...
When I lived in Chicago, I often went to the Art Institute to admire the paintings of Edward Hopper, especially Nighthawks. Later on, I would do the same thing in New York, at the Whitney; both ...
Most vacationers head to Cape Cod for the sand and surf, but we were on another mission, a visit to Edward Hopper's summer home on the beach in Truro. He's the artist of the lonely-hearts, who painted ...
A back-of-house view of the room in which the author slept at the Virginia Museum of Fine Arts’s Hopper Hotel Experience (Travis Fullerton © Virginia Museum of ...
Cece Philips discusses works by Barkley L. Hendricks and Edward Hopper, as well as one of her own new pieces, which depicts a solitary moment at the end of the day. By Precious Adesina We’d like you ...
A highly desirable Edward Hopper, one of the American painter’s last from the 1920s that had remained in private hands, shattered the artist’s previous sales record and set a new all-time high for ...
Forbes contributors publish independent expert analyses and insights. Jonathon Keats is a writer and artist who critiques museum exhibits. Edward Hopper, Cape Cod Morning, 1950. Oil on canvas. 86.7 x ...
In Alex Ross’ lyrical essay about the films of Andrei Tarkovsky, he describes the ending of Tarovsky’s masterpiece about a medieval Russian icon painter: “Suddenly, a black-and-white screen is filled ...
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