New York Classical Review1d
Despite distractions, Tepfer and Trio Fadolin find the Feldman groove
Morton Feldman’s Piano, Violin, Viola, Cello. was performed by Dan Tepfer and Trio Fadolin Wednesday night at the New York ...
New York Classical Review5d
Ólafsson’s spellbinding Brahms highlights Honeck’s Philharmonic program
This week’s New York Philharmonic program is built on classics—Beethoven’s Symphony No. 7 and Brahms’ Piano Concerto No.
New York Classical Review4d
Violinist Avsharian’s unique concert mixes music with brainwave education
Shostakovich and light, entertaining music are not generally synonymous, but the Soviet composer wrote film music to pay the ...
New York Classical Review11d
Met’s “Tales of Hoffmann” offers dark Romanticism and a feast of female voices
Romantic tenors from Gedda and Domingo to Alagna have sought a vehicle in Hoffmann, but Saturday found Benjamin Bernheim in ...
New York Classical Review9d
Superb singing in “Rigoletto” highlights return of Met’s Weimar Verdi
With his dark, resonant bass voice and sinister demeanor, Soloman Howard made an impact as Sparafucile. In his first ...
New York Classical Review13d
Parlando opens season with music of the night
The chamber orchestra Parlando, led and fronted by conductor Ian Niederhoffer, who doesn’t just beat time and cue instruments ...
New York Classical Review16d
Tesori’s “Grounded” scores a dark triumph in Met season opener
Dehn’s blue-lit perch high in Mimi Lien’s two-tiered set, and her robust voice with flecks of coloratura, as she presided ...