Mark Rothko | American Masters | PBS
Mark Rothko | American Masters | PBS
Feb 17, 2020
pbs.org
Rothko’s paintings at Tate Modern are the subject of West End play Red. Watch the director & cast explore the Rothko room with Tate Modern's Director Frances Morris and discuss what it was like to bring the artist's painting process to the stage. Full film here: https://goo.gl/pZXJMF | Tate
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Rothko’s paintings at Tate Modern are the subject of West End play R…
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"There is more power in telling little than telling all.” — Mark Rothko On the occasion of our first in-depth presentation of Rothko's paintings in over a decade, read about the contemplative pleasures of the artist’s work on MoMA Magazine. | MoMA The Museum of Modern Art
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"There is more power in telling little than telling all.” — Mark Rothko O…
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"In the mid- to late-1940s in New York, there was a new artistic movement emerging that was uniquely American..." | American Masters
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"In the mid- to late-1940s in New York, there was a new artistic mov…
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“I’m interested only in expressing basic human emotions—tragedy, ecstasy, doom, and so on. And the fact that a lot of people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.” — Mark Rothko Artist Mark Rothko sought to make paintings that would bring people to tears. He painted to explore the depths of himself and the human condition. For him, art was a profound form of communication, and art making was a moral act. Born in Latvia in 190
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“I’m interested only in expressing basic human emotions—tragedy, …
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WATCH: Our ‘First Look’ at Mark Rothko’s ‘Untitled’, 1960, which we are honored to offer this spring on behalf of SFMOMA San Francisco Museum of Modern Art to benefit the institution’s Acquisitions Fund. An important work completed at the height of Rothko’s artistic powers, ‘Untitled’, 1960 will travel to London, Taipei and Hong Kong this spring, before returning to New York for exhibition and auction in May. | Sotheby's
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Mark Rothko wasn’t chasing beauty; he was chasing feeling. Born in Latvia in 1903 and raised in America, he turned away from figurative art to build vast fields of colour that could speak directly to emotion. His paintings weren’t about form or design; they were meditations; slow, quiet, and overwhelming in their simplicity. Yet that same simplicity has made him one of the most expensive artists in history. In 2012, one of his colour fields sold for nearly $87 million, a price that might have ho
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